Subjects for painters. By Peter Pindar, Esquire. A new edition.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT010271Peter Pindar = John Wolcot. Verse. Page 64 has catchword: ’now’; page 65 is blank, and page 66 begins: ‘Solomon and the mouse-trap’; page 67 has catchword: ’that’; page 68 is blank, and page 69 begins: “What makes the mouse .. ‘.London: printed for G.Goulding; and J.Walker, 1793. 4],104p.; 4